2024

  • Chalk

    Chalk

    Chalk on plastic wrap, rubbed on AppearancePowdery and blue. Translucent, range of opaqueness depending on thickness of chalk applied. Physical ChangesCreates a soft textured surfaceChanges color and opacityIs unstable UtilitySticks to adhesiveCan be used to change texture and color

  • Cyanotype

    Cyanotype

    Cyanotype on plaster tape on fabric 20min exposed in sunlight Won’t stop developing. I washed out the solution for at least 10mins to try to get the solution from continuing to develop and it still didn’t work. Maybe letting it dry in the dark and then sealing it? I was hoping since the plaster tape…

  • Dip Paint

    Dip Paint

    Dip paint on softball AppearanceObject half red with a sheen (multiple coats). Adds a fresh coat to an old object and emphasizes the degradation and original texture of the ball. Physical ChangesCreates a uniformed surfaceColorAllows texture and original form of the object to show through UtilityAdheres to most things, absorbent objects need more coatsCan be…

  • Reflective Glass Particles

    Reflective Glass Particles

    With flash Glass Particles on plastic wrap with adhesive AppearanceEthereal and reflective. See-through with glints of glass. Physical ChangesCreates a dynamic surface w flash Changes with different lighting Has a sandy texture UtilityCan be used to create an interactive experience with the viewerCan be applied with adhesive and paint With Flash Glass Particles on plastic…

  • Abraham Cruzvillegas

    Abraham Cruzvillegas

    Symbolic/Color Horizontes, 2005 https://art21.org/wp-content/uploads/2014/10/cruzvillegas-artwork-007-horizontes.jpg Materials: Acrylic enamel gloss pink paint and chalk-board green paint on approximately 400 found objects Process: Dip dye Content: Uniformity Juxtaposition of the chalky green and the glossy pink. Identity- “The pink and green reference the Mangueira favela flag from the Samba school in Rio de Janeiro, where Cruzvillegas visited in…

  • Karla Black

    Karla Black

    Biodegradable Coatings/ExperimentalWish List, 2008 Materials: Sugar Paper, chalk, ribbon, hair gel, nail varnish, plaster powder, paint, petroleum jelly, polythene, rubber glove Process: Coating paper in hair gel and petroleum jelly then ‘flocking’ with plaster powder and chalk dust Content: Impermanence, contingency, fragility, self care In Black’s work she uses very pastel and light colors which…

  • Anish Kapoor (Red Wax)

    Anish Kapoor (Red Wax)

    Blood Relation, 2006 Materials: Bronze and wax The way Kapoor uses the red wax in a variety of ways; melted irregular form, molded spheres, a melted puddle and a congealed wedge. This brings a variety of textures of roughness, smoothness and reflective highlights to the piece. The different states of the wax can reference transformation,…

  • Mirror Effect Paint

    Mirror Effect Paint

    Rust-oleum Mirror Effect on baby wipe package AppearanceShiny, extremely reflective on smooth surface. Can see wrinkles and imperfections. Physical ChangesChanged the color and utility of the surfaceSurface reflects more light and shadows making it a more dynamic object UtilityCan be used to create a reflective surfaceCan elevate an item  Rust-oleum Mirror Effect on resin AppearanceShiny,…

  • Cement

    Cement

    AppearanceGray, cracked and draped Physical ChangesChanged the color/uniformityFormed the flannel into a stable structure with an interior spaceFreestandingHeavier UtilityCan be used to harden soft absorbent materials Creates a uniformed surface Can create a free standing object

  • Wax

    Wax

    Wax on paper towel roll AppearanceHardened, has a waxy sheen. The rolls are attached and hold a bent shape. Physical ChangesOff white/creamThe separated layers of towels are visible adding more texture and interior surfaceHeavier UtilityCan by used to adhere materialsCan be absorbed into an object that is porousHolds its shapeCan add an irregular sheen to…

  • Fur

    Fur

    Fur on metal bookend adhered w/ spray adhesive AppearanceColorful, furry, animated Physical ChangesCreates a furry textureCompletely transformed the previous metallic surfaceThe piece is now animated and feels aliveEmphasizes the shape of the object to be an entrance or mouth UtilityAdheres to metalChanges color and texture

  • Glitter

    Glitter

    AppearanceThe individual pieces of glitter are coarse making a chunky on the surface causing larger shadows and highlights. The glitter has a light blue tint and is reflective. Physical ChangesChanges the way light hits the objectGlitter is fragileCovered the surface with a uniform texture UtilityAdheres to adhesiveChanges color and texture

  • Plasti-Dip

    Plasti-Dip

    Plasti-Dip on sock AppearanceBright blue with a glossy sheen. Controlled amount applied that shows emphasis and intention. Can see the original texture of the sock in places the Plasti-Dip is not too thick. Physical ChangesCreates a uniformed surfaceBright colorGrippy texture UtilityAdheres to most thingsCan be used to achieve a uniform bright color

  • Latex

    Latex

    Structural/Degradable/Textural Latex on pulled fabric AppearanceChunky, flexible, yellow. The individual threads become noodle looking, bunched up and curled. Physical ChangesChanged the colorChanged the way the fabric moves, flexible, bouncyThe fabric is now rubbery UtilityCan by used to adhere materials because the latex sticks to itselfCan be applied to surfaces that can absorb the latexHolds its shape…

  • Rachel Harrison

    Rachel Harrison

    Process: Paper-mache like process of layering materials on foam and wire. Content: satirical, pop-culture, grotesque Technological/Textural/Structural

  • Plaster

    Plaster

    Plaster on felt AppearanceDraped, white and yellow. The surface is hard and fuzzy Physical ChangesHardened the feltThe plaster soaked into the felt leaving it whiteHard with a fuzzy surface- the felt fibers can be felt over the plasterWhite and splotchy UtilityCan soak into a fabric to harden it in a desired shape