Lotus L. Kang’s In Cascades invites viewers into a liminal space between inside and outside, life and regeneration, emptiness and fullness, evoking a sense of constant transformation. Photographic films unfurl from steel joists suspended from the ceiling, while floor sculptures made of tatami mats and cast-aluminum objects anchor the installation. The materials—industrial, portable, and adaptable—emphasize change. Kang exposes the film to varying light conditions in a process she calls “tanning,” likening the surface to skin and exploring the body’s porous relationship with its environment. Through this, the work reflects on diasporic identity, the fluidity of memory, and the unfixed nature of the self.