new york
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Lotus L. Kang
Lotus L. Kang’s In Cascades invites viewers into a liminal space between inside and outside, life and regeneration, emptiness and fullness, evoking a sense of constant transformation. Photographic films unfurl from steel joists suspended from the ceiling, while floor sculptures made of tatami mats and cast-aluminum objects anchor the installation. The materials—industrial, portable, and adaptable—emphasize…
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Jes Fan
Jes Fan’s sculptures explore material and surface by transforming the body into both structure and metaphor. Using 3D-printed CAT scans of his own body, Fan maps cross-sections of muscles and vertebrae, turning internal anatomy outward. In Contrapposto, six replicated vertebrae drape over a metal frame, inverting the skeleton to function like skin, while hand-blown glass…
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Suzanne Jackson
Red over morning sea, 2021Acrylic Suzanne Jackson’s suspended paintings push the boundaries of material and surface, built entirely from layers of acrylic, gel medium, detritus, and natural objects, like seeds from her garden in Savannah, Georgia. Since the 1960s, Jackson has experimented with acrylic, treating it not just as paint but as structure—“an armature for…
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Eddie Rodolfo Aparicio
Installation view of Whitney Biennial 2024: Even Better Than the Real Thing (Whitney Museum of American Art, New York, March 20- August 11, 2024). Eddie Rodolfo Aparicio, Paloma Blanca Deja Volar / White Dove Let Us Fly, 2024. Photograph by Ron Amstutz Amber changes over time and the artist altered this amber to be less stable in the…